Up

Sometimes when I go to a movie, I can tell as I’m watching it that it will be a part of me for the rest of my life. Sometimes my emotional response is so complete and unmistakable that I know I will be able to revisit it multiple times and get the same thrill. Sometimes the emotional truth blindsides me and there’s no question in my mind that I’m watching a great film.

Up (2009) is that kind of movie. In the Pixar canon, it instantly became my favorite, even though all of the Pixar movies are wonderful. But seeing Up for the first time, I knew I was watching something special.

How many movies can you think of with an old man as the main character? There are some, but not many. How many can you think of with a kid who acts like a kid, and isn’t blessed with movie wisdom that marvels adults? How many movies feature a dog that acts like a real dog? Ever seen a house float away as it’s carried by balloons?

There are many things that make Up a unique experience (all the Pixar films are like this, to some extent). One element that can’t be rivaled is near the beginning, showing the complete marriage of Carl and Ellie. An entire shared life is compacted into a powerful sequence with absolutely no dialogue. And fittingly, it’s hard to find words to describe its beauty. We don’t just watch it, we experience it.

Not many movies show such a complete history of one life, and by the time we see Carl (voice by Ed Asner) living alone, we wonder how much more story his life could hold. Plenty, that’s how much. He meets Russell (voice by Jordan Nagai), an eager little Wilderness Explorer, and through events I won’t describe, they end up traveling together in Carl’s house to find Paradise Falls in South America. The scene where Carl’s house lifts off is enchanting and romantic.

Carl is cranky, old, and wants to be left alone. Russell, who isn’t “too smart,” as many movie children are, is a good foil for Carl. Carl represents a father figure to the boy, who is the son that Carl never had. Their interactions for the first half of the movie provide a lot of humor that’s funny because it’s so familiar and true to life.

When they reach South America, they encounter Dug (voice by co-writer Bob Peterson), who is the most realistic dog I’ve ever seen in a movie. Most movie animals can do all kinds of tricks and solve all kinds of problems. Not Dug. He’s as easily distracted and eager to please as any real dog. And full of unconditional love, as only a dog can be. Dug is able to speak through a special collar made for him by his owner, Charles Muntz (voice by Christopher Plummer). Muntz, who was the childhood hero of Carl, has been living near Paradise Falls for years in search of an exotic bird and the repair of his reputation. He has many dogs, all of them outfitted with collars that allow them to speak. He is very shrewd, but Carl and Russell discover that he’s been away from civilization a bit too long.

One interesting factor in the story is Carl’s attachment to his house, which in his mind represents Ellie. The house is almost another character in the movie. Much of the effect is achieved through Michael Giacchino’s Oscar-winning score. Ellie’s Theme, introduced when Carl and Ellie meet as children, is used throughout the movie to represent the memory of Ellie and her spirit of adventure. But Giacchino is able to let the theme evolve into different forms, sometimes heroic, sometimes nostalgic and bittersweet, and finally as an emblem of love and friendship. The images in the film, combined with the power of the music, are able to make me cry with sadness, and then cry again with happiness. Not many films can do both.

I’ve glossed over much of the story, but the joy of adventure is in the experience and can’t be fully appreciated in the mere telling. It’s pleasantly surprising to find a story that focuses on two old men and a kid. We live in a society that is obsessed with youth, but director Pete Docter and his team take a good look at life in its later stages. What a rare thing to find in an animated family film.

Up won the Oscar for Best Animated Feature of 2009 and was the 10th film released by Pixar. The Pixar films have shown us worlds through the eyes of toys, bugs, monsters, fish, cars, superheroes, rats, robots, and now through the eyes of an old man. How would it be to look back on a life rich with happy memories? Living a full life is the real adventure.

So I have a few words to share about the last shot. (I’m assuming that anyone reading this has seen the film.) I’m talking about the shot of Carl’s house resting on Paradise Falls. In the commentary track with Pete Docter, Bob Peterson says, “I don’t even read it as literal. I just read it as: he completed what he needed to do. In reaching out to Russell, he did get the house to the Falls.” I couldn't have said it better.